Flesh in a Hard World
20 July - 5 August 2017
Interlude Gallery, Sydney.
Talitha Kennedy, Installation view: Flesh in a Hard World, 2017, Interlude Gallery, Sydney.
Photograph Daniel Noone.
Talitha Kennedy, Installation view: Flesh in a Hard World, 2017, Interlude Gallery, Sydney.
Photograph Daniel Noone.
Talitha Kennedy, Installation view Flesh in a Hard World, 2017, Interlude Gallery, Sydney.
Photograph Interlude Gallery.
Talitha Kennedy, Installation view: Flesh in a Hard World, 2017, Interlude Gallery, Sydney.
Photograph Daniel Noone.
Talitha Kennedy, The wild being eats out its own path, 2017. Leather, thread, polyester fibre, wire and found demolition blocks. 130 x 45 x 45 cm.
Photograph Daniel Noone.
Talitha Kennedy, Survival wreath of open arsehole, 2017. Leather, thread, polyester fibre and wire. 180 x 180 x 30 cm.
Photograph Interlude Gallery.
Talitha Kennedy, Empty again and again, 2017. Leather, thread, polyester fibre and wire. 180 x 80 x 30 cm.
Photograph Interlude Gallery.
Talitha Kennedy, Installation shot: Flesh in a Hard World, 2017, Interlude Gallery, Sydney.
Photograph Daniel Noone.
Talitha Kennedy, Tricks to make earth into flesh #11, 2017. Leather, thread, polyester fibre and found demolition blocks. 35 x 15 x 10 cm.
Photograph Interlude Gallery.
Talitha Kennedy, Little Waiting Volcano, 2014. Leather, thread and polyester fibre. 35 x 25 x 25 cm.
Photograph Interlude Gallery.
Talitha Kennedy, (detail) Effigy for Repressed Entropy, 2015. Leather, thread, polyester fibre and wire. Dimensions variable (370cm high).
Photograph Interlude Gallery.
Talitha Kennedy, (detail) Effigy for Repressed Entropy, 2015. Leather, thread, polyester fibre and wire. Dimensions variable.
Photograph Daniel Noone.
Talitha Kennedy, Installation shot: Flesh in a Hard World, 2017, Interlude Gallery, Sydney.
Photograph Daniel Noone.
Talitha Kennedy, A fragile mess of contact (shrink), 2017. Ink on paper. 85 x 60 cm.
Talitha Kennedy, A fragile mess of contact (splay), 2017. Ink on paper. 85 x 60 cm.
Talitha Kennedy, A fragile mess of contact (peel), 2017. Ink on paper. 59 x 42 cm.
Talitha Kennedy, A fragile mess of contact (flay), 2017. Ink on paper. 59 x 42 cm.
Talitha Kennedy, Installation shot: Flesh in a Hard World, 2017, Interlude Gallery, Sydney.
Photograph Daniel Noone.